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In 2017, in the midst of the French election period, Fatou Diome published Marianne porte plainte! [Marianne files a complaint/presses charges!] a prose poem that questioned the concept of national identity, its omnipresence in the political debate and the excesses of its defenders.
Five years later, in a similar context, the 54-year-old Franco-Senegalese writer returns with Marianne face aux faussaires, an incisive, uneasy essay on the defence of republican values in a France caught between xenophobic identitarians brandishing the threat of a “great replacement” and anti-racist activists trapped in a colonial past that deviates from the fight they claim to lead. A France that has to put up with their bitter, sad and declinist speeches.
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